And once they are finished, they destroy it and start building another one. “It’s about this group of monks who create beautiful and complicated structures out of sand. This coming from Naseeruddin Shah, who Hooda considers a “mentor, guide and friend”, could have been flattering, but a story Shah told him, punctured his vanity. He said, ‘after this performance, you could sleepwalk through the next 10 years of your career’,” says Hooda. “It gave me my biggest compliment from Naseer. Randeep Hooda felt bad, but he quickly recovered, determined to make it count. Originally approached as one of the two leading men of Jannat 2, he was eventually relegated to a smaller role. The nepotism and unfair ways of the industry don’t affect him anymore. Randeep Hooda’s biggest lesson from his struggle in the film industry is that success is a result of associations, with filmmakers and production houses. Later on, he acted in plays such as Waiting for Godot and Arms and the Man with Naseeruddin Shah’s theatre group, Motley. Besides, I have seen life without work,” says the actor, who started out as a model and did amateur theatre in Delhi in the late ’90s. “No one wants to act in front of a bathroom mirror.
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Then there are the lead roles in Main Aur Charles, where he plays the notorious serial killer Charles Sobhraj, and that of a patriotic gangster in Shooter. There are more lined up, such as Rensil D’ Silva’s Ungli and Kick starring Salman Khan. The shift in his 13-year-old career has come with Randeep Hooda doing more mainstream films, mostly as part of ensemble casts - Once upon a Time in Mumbaai (OUATIM, 2010) and Saheb Biwi aur Gangster (SBAG, 2011). Thankfully, for my horses, I always knew I had something to come back to,” he says. “I would have no reason to get out of my bed, or to go out to eat what I liked. The horses he owns, were a source of comfort in his dark phase. Randeep Hooda’s equine passion is well known. “But over the years, I realised, unless you are a superstar who controls everything, you really are at other’s mercy,” says Hooda, on his way to the Mahalaxmi Race Course, Mumbai, a place that he visits regularly.
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“I thought I had to just stand in front of the camera and people would flock to the theatres to watch me,” he says. Randeep Hooda admits he took himself too seriously early in his career. And as an actor it helps me become different personalities,” he says.įor someone who made a promising debut in Mira Nair’s Monsoon Wedding (2000), Hooda took his time to earn his following. “I don’t know who I am because I can be a lot of different people. In that role, Hooda locked lips with his co-star Saqib Saleem. Think back to Karan Johar’s segment of Bombay Talkies where he played a sophisticated married man who hides his homosexual orientation.
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He’s making a career out of effortlessly slipping into diverse roles. In his latest release - Imtiaz Ali’s Highway, Randeep Hooda changes his appearance drastically to play Mahabir Bhatti, a Gujjar with a criminal past. Hooda put up a compelling act as the sleek, black suit sporting Death in The Coffin Maker, which premiered at the International Film Festival of India, last year.